In Their Ray Kappe Home, Alexandra Kerry and Julien Dobbs-Higginson Blend the Old and New

The architectural landscape of Southern California is defined by a specific brand of midcentury modernism that seeks to dissolve the boundaries between the built environment and the rugged natural terrain. At the heart of this movement was the late maestro Ray Kappe, a founding father of the Southern California Institute of Architecture (SCI-Arc), whose 1966 residential masterpiece in Rustic Canyon serves as the current residence for filmmaker Alexandra Kerry and her husband, Julien Dobbs-Higginson. The home stands as a living testament to Kappe’s enduring philosophy: the pursuit of diversity within a common system. By integrating a vast array of international heirlooms, contemporary art, and midcentury classics, the residents, alongside designer Kate Driver, have navigated the complex challenge of honoring architectural history while fostering a modern, functional family environment.

In Their Ray Kappe Home, Alexandra Kerry and Julien Dobbs-Higginson Blend the Old and New

The Architectural Legacy of Ray Kappe and the Rustic Canyon Context

To understand the significance of the 1966 Rustic Canyon residence, one must first examine the influence of Ray Kappe on the Los Angeles architectural canon. Kappe, who passed away in 2019, was renowned for his ability to manipulate vertical space and natural light through interlocking wood volumes and massive glass spans. His own residence, located nearby and built during the same 1965–1967 window, was designated a Cultural-Heritage Monument by the City of Los Angeles.

The Kerry/Dobbs-Higginson house carries many of the same hallmarks that defined Kappe’s career: cantilevered decks that appear to float amidst the foliage, clerestory windows that capture the shifting California sun, and a sophisticated use of redwood and glass. Kappe’s approach was never about rigid minimalism; rather, he viewed architecture as a "common system" that allowed for internal "diversity"—a modular flexibility that invited the inhabitants to define the space. This 1966 structure was designed to sit harmoniously within a verdant canyon setting, where a backyard creek and a canopy of redwood trees provide a soundtrack of nature that feels far removed from the urban sprawl of Los Angeles.

In Their Ray Kappe Home, Alexandra Kerry and Julien Dobbs-Higginson Blend the Old and New

A Convergence of Global Sensibilities: The Residents’ Backgrounds

The curation of the home’s interior is a direct reflection of the multi-layered histories of its inhabitants. Julien Dobbs-Higginson brings a cosmopolitan perspective to the space, having been born in Japan to British and French parents. His aesthetic leanings favor the restraint of Japanese design and the clean lines of European modernism. However, he acknowledges the difficulty of maintaining a strictly minimalist "code" while raising two daughters, Isabelle and Allegra.

Alexandra Kerry, daughter of former U.S. Secretary of State John Kerry and the late writer Julia Thorne, provides a counter-narrative with her New England roots. Her contribution to the home includes a collection of traditional antiques and family heirlooms, many of which were passed down from her mother, who was raised in Rome. This "traditional New England sensibility" involves the strategic placement of storied objects from the past, creating a dialogue between the heritage of the American East Coast and the avant-garde spirit of the West Coast.

In Their Ray Kappe Home, Alexandra Kerry and Julien Dobbs-Higginson Blend the Old and New

The Design Strategy: Brokering a Nuanced Synthesis

Tasked with merging these disparate styles, Kate Driver, founder of the Los Angeles-based design firm West Haddon Hall, approached the project with a philosophy of "non-interventionist" design. Recognizing the home itself as a work of art, Driver aimed to preserve the architectural integrity of Kappe’s "Old Master" structure while populating it with a high-low mix of furnishings.

The design team utilized a palette that prioritized organic textures and strategic bursts of color. In the living room, the focal point is an antique trumeau mirror inherited from Kerry’s great-grandmother, which hangs above the fireplace. This piece serves as an anchor for a room that otherwise features vintage Scandinavian seating, a chartreuse linen Rose Uniacke ottoman, and an Akari lantern by Isamu Noguchi. The result is a space where the "volumetric brio" of Kappe’s architecture provides a neutral but powerful stage for the mingling of Continental antiques and 20th-century design icons.

In Their Ray Kappe Home, Alexandra Kerry and Julien Dobbs-Higginson Blend the Old and New

Chronology of Curation and Preservation

The evolution of the home can be traced through several key milestones in both architectural history and the residents’ personal lives:

  • 1965–1967: Ray Kappe completes a series of landmark homes in Rustic Canyon, including his own residence and the structure now owned by Kerry and Dobbs-Higginson.
  • 2006: In a seminal interview, Kappe articulates his vision of "diversity within a common system," providing a theoretical framework for future interior designers.
  • 2019: The passing of Ray Kappe sparks a renewed interest in the preservation of his residential works.
  • Early 2020s: Kerry and Dobbs-Higginson acquire the property and begin the process of integrating their diverse collections.
  • 2024–2025: The project is completed under the direction of Kate Driver, coinciding with the high-profile sale of Kappe’s own landmark home, which signaled a peak in the market for Southern California Modernism.

Supporting Data: The Icons of Design Within the Home

The interior is a catalog of significant 20th-century design. The following pieces are integral to the home’s aesthetic and functional balance:

In Their Ray Kappe Home, Alexandra Kerry and Julien Dobbs-Higginson Blend the Old and New
  1. Dining Area: Features vintage Martin Visser chairs, known for their Dutch functionalist roots, paired with neoclassical Sheraton-style armchairs from the Thorne family. A custom credenza inspired by Charlotte Perriand sits beneath a Claes Oldenburg drawing of a baseball glove.
  2. Entry Hall: A Verner Panton chair for IKEA—a rare populist design from a modernist master—is positioned next to a 1940s Italian console in the style of Paolo Buffa. The walls are adorned with the conceptual art of Jenny Holzer.
  3. Social Spaces: A 1960s Artemide Polinnia lamp by Studio BBPR and an Ingo Maurer pendant light provide a sculptural approach to illumination, complementing the natural light provided by Kappe’s clerestory windows.
  4. Outdoor Living: The cantilevered decks feature lounge chairs by Gabriella Crespi, bridging the gap between indoor luxury and the rugged canyon exterior.

The Intersection of Design and Wellness: Madeworks

Beyond the aesthetic considerations, the Kerry/Dobbs-Higginson home serves as a laboratory for the couple’s professional mission: nontoxic living. As co-founders of Madeworks, a certification and consulting platform, they are dedicated to setting new health standards for consumer products. This commitment is reflected in the home’s material choices, from Liberty linens to the avoidance of synthetic formulations in new acquisitions.

The couple’s focus on human health and ecosystem viability aligns with the architectural intent of the house. Kappe’s designs were fundamentally about the "human experience" within a space, and the integration of clean, environmentally responsible products represents a modern extension of that human-centric philosophy.

In Their Ray Kappe Home, Alexandra Kerry and Julien Dobbs-Higginson Blend the Old and New

Analysis of Broader Implications and Market Impact

The successful integration of antiques and modernism in a Kappe house reflects a broader trend in the luxury real estate and design markets. Architectural historians observe that there is an increasing move away from "pure" period restorations toward "layered" interiors that reflect the inhabitant’s personal history. This shift suggests that the value of midcentury modern homes is no longer tied solely to their status as time capsules, but to their ability to adapt to contemporary lifestyle needs, including the demand for nontoxic environments and the display of diverse art collections.

Furthermore, the stewardship of the Kerry/Dobbs-Higginson family highlights the importance of private preservation. By choosing a designer who views the house as an "Old Master" and by making decisions that prioritize the health of both the residents and the surrounding canyon ecosystem, the owners have ensured that Kappe’s vision remains relevant in the 21st century.

In Their Ray Kappe Home, Alexandra Kerry and Julien Dobbs-Higginson Blend the Old and New

Conclusion and Future Outlook

As the design world continues to grapple with the balance between historical preservation and modern functionality, the Kerry/Dobbs-Higginson residence stands as a model of successful synthesis. The project demonstrates that a "common system"—whether it be Kappe’s interlocking wood volumes or a designer’s floor plan—can indeed support a vast diversity of styles, eras, and personal values.

Looking forward, the influence of this home is likely to extend into the e-commerce and certification space through the couple’s work with Madeworks, potentially influencing how future homeowners select materials for architecturally significant properties. In the quiet enclave of Rustic Canyon, the legacy of Ray Kappe continues to thrive, not as a static monument, but as a vibrant, evolving home that honors the past while looking toward a healthier, more integrated future.

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